I learned this morning that my panorama-on-canvas "Bamberger Ranch, West Slope Middle Grassland, no. 2", which is currently on display at the LBJ Wildflower Center, has been sold.
I don't know who bought it, but I send them my compliments. I hope they get many decades of enjoyment from it. It is, by the way, the "artist's proof" no. 1 print—the very first print of that image in that format (or, as it happens, in any format)—so it is singular; more limited even than the small limited edition that will follow. So, on the off chance that my work becomes collectable in the future, that print should be uniquely valuable.
For any readers wondering about that image, here's the description of it that I wrote for the show:
July 29, 2007 – Hip-high grass swaying in a warm breeze, scattered oak stands, sunshine, and an oncoming storm.
Three years of random visits may be required, but a sweeping field of grass scattered with shady stands of oak, and gifted with a distant horizon, may eventually be caught in a favorable condition, season, and light, and, just maybe, with dramatically unfavorable weather impending. There’s some persistence and judgement in such an endeavor, and a lot of luck.
This field adjoins those reserved for the world’s last wild herd of Scimitar-horned Oryx. From time to time, it, too, plays host to the critically-endangered antelope. Its elements should bear some deeply-welcomed resemblance to their native African savanna, and its most striking element—the grass—most of all. Planted specifically for the Oryx, the African Klein grass stands fine, tall, and dense. Its blades pass luxuriantly against an interloper’s legs. If their flavor is the equal of their look and feel, the Oryx eat well at the edge of extinction.